GARNIER
Maëva
Chargée de recherche CNRS
Publications


REVUES A COMITE DE LECTURE


Rhythmic tapping difficulties in adults who stutter: a deficit in beat perception, motor execution, or sensorimotor integration?
Slis, A., Savariaux, C. Perrier, P. & Garnier, M.
PlosOne 18 2 (2023), e0276691
 
Lip hyper-articulation in loud voice: Effect on resonance-harmonic proximity
Garnier, M., Smith, J. & Wolfe, J.
Journal of the Acoustical Society of America 52 6 (2022), 3695-3705
  Make That Sound More Metallic: Towards a Perceptually Relevant Control of the Timbre of Synthesizer Sounds Using Variational Autoencoder.
Roche, F., Hueber, T., Garnier, M., Limier, S. & Girin, L.
Transactions of the International Society for Music Information Retrieval (2021)
The ConDialInt Model: Condensation, Dialogality, and Intentionality Dimensions of Inner Speech Within a Hierarchical Predictive Control Framework.
Grandchamp, R., Rapin, L., Perrone-Bertolotti, M., Pichat, C., Haldin, C. et al.
Frontiers in Psychology, Frontiers 10 (2019)
  Hyper-articulation in Lombard speech: An active communicative strategy to enhance visible speech cues?
Garnier, M., Ménard, L. et Alexandre, B.
Journal of the Acoustical Society of America 144 2 (2018), 1059-1074.
Vocal change patterns during a teaching day: Inter-and intra-subject variability
Remacle, A., Garnier, M., Gerber, S., David, C. and Petillon, C.
Journal of Voice 32 1 (2018), 57-63.
  Physiological and acoustic characteristics of the male music theatre voice
Bourne, T., Garnier, M. et Samson, A.
Journal of the Acoustical Society of America 140 1 (2016), 610-621.
Speaking in noise: How does the Lombard effect improve acoustic contrasts between speech and ambient noise?
Garnier, M. et Henrich, N.
Computer Speech and Language 28 (2014), 580-597.
  Neural correlates of phonetic convergence and speech imitation
Garnier, M., Lamalle, L. et Sato, M.
Frontiers in Psychology (2013), Article 600 .
The listening talker: A review of human and algorithmic context-induced modifications of speech
Cooke, M., King, S., Garnier, M. et Aubanel, V.
Computer Speech and Language 28 (2014), 543-571.
  Converging toward a common speech code: imitative and perceptuo-motor recalibration processes in speech production
Sato, M., Grabski, K., Garnier, M., Granjon, L., Schwartz, JL. et Nguyen, N.
Frontiers in Psychology (2013), Article 422.
Physiological and acoustic characteristics of four qualities in the female music theatre voice
Bourne, T. et Garnier, M.
Journal of the Acoustical Society of America 131 2 (2012) 1586-1594.
  Glottal behavior in the high soprano range and the transition to the whistle register
Garnier, M., Henrich, N., Crevier Buchman, L., Vincent, C., Smith, J. et Wolfe, J.
Journal of the Acoustical Society of America 131 1 (2012), 951-962.
Music theatre voice: Production, physiology and pedagogy
Bourne, T., Garnier, M. et Kenny, D.
Journal of Singing (2012), 437-444.
  Influence of sound immersion and communicative interaction on the Lombard effect
Garnier, M., Henrich, N. et Dubois, D.
Journal of Speech, Language and Hearing Research 53 3 (2010), 588-608.
Vocal tract adjustments in the high soprano range
Garnier, M., Henrich, N., Wolfe, J., et Smith, J.
Journal of the Acoustical Society of America 127 6 (2010) 3771-3780.
  Vocal tract resonances in speech, singing and playing musical instruments
Wolfe, J., Garnier, M., et Smith, J.
HFSP Journal 3 1 (2008) 6-23.
Towards a common terminology to describe voice quality in Western lyrical singing: Contribution of a multidisciplinary research group
Henrich, N., Bezard, P., Expert, R., Garnier, M., Guerin, C., Pillot, C., Quattrocchi, S., Roubeau, B., Terk, B.
Journal of Interdisciplinary Music Studies 2 1-2 (2008) 71-83.
  Characterisation of Voice Quality in Western Lyrical Singing: from Teachers's Judgements to Acoustic Descriptions
Garnier, M., Henrich, N., Castellengo, M., Sotiropoulos, D. et Dubois, D.
Journal of Interdisciplinary Music Studies 1 2 (2007) 62-91.

Etude de la qualité vocale dans le chant lyrique
Garnier, M., Henrich, N., Dubois, D., Castellengo M., Poitevineau, J. et Sotiropoulos, D.
Scolia 20 (2005) 151-169.
   

 


CHAPITRES D'OUVRAGES SCIENTIFIQUES


The mechanics and acoustics of the singing voice: registers, resonances and the source-filter interaction
Wolfe, J., Garnier, M., Henrich Bernardoni, N. et Smith, J.
Routledge Companion to Interdisciplinary Studies in Singing: Volume I Development.
Ed. F. Russo, B. Ilari, A. Cohen. (2018).
  Music theatre voice: Production, physiology and pedagogy
Bourne, T., Garnier, M. et Kenny, D.
Perspectives on teaching singing: australian vocal pedagogues sing their stories
Ed. S. Harrisson. Australian Academic Press, Melbourne (2011).
Forçage vocal et efficacité de communication
Garnier, M.
La voix dans tous ses maux. Ed. P. Gatignol, Ortho Edition, Paris (2009) pp. 83-107.
  Bruit et voix: de l'adaptation au forçage vocal. Conceptions et implications méthodologiques.
Garnier, M., Dubois, D. et Henrich, N.
Perturbations et Réajustements. Langue et langage. Ed. B. Vaxelaire, R. Sock, G., Kleiber et F. Marsac (2007) pp. 63-71.




ACTES DE CONFERENCES AVEC COMITE DE LECTURE

 

Verbal and nonverbal feedback signals in response to increasing levels of miscommunication.
Garnier, M., Le Ferrand, E., Ringeval, F.
Actes d'Interspeech, Dublin (2023).
  Audio, Visual and Audiovisual intelligibility of vowels produced in noise.
Garnier, M.
Actes d'Interspeech, Dublin (2023).
Efforts de production de parole chez les personnes qui bégaient.
Garnier, M., Da Fonseca, A., Savariaux, C. et Cattelain, T.
Actes des JEP, Aix en Provence (2018).
  Clarification et correction d'indices segmentaux : une étude pilote sur les consonnes occlusives du français.
Garnier, M., Dohen, M., Buttiaux, L. et Gerber, S.
Actes des JEP, Aix en Provence (2018).
Efforts and coordination in the production of bilabial consonants
Garnier, M., Bouhake, S. et Jeannin, C.
Proceedings of ISSP, Cologne (2014).
  Effect of being seen on the production of visible speech cues. A pilot EMA study
Garnier, M., Ménard, L. et Richard, G.
Proceedings of Interspeech, Portand, USA (2012).
The tuning of vocal resonances and the upper limit to the high soprano range
Garnier, M., Henrich, N., Smith, J. et Wolfe, J.
Actes de ISMA, Katoomba, Australie (2010).
  Physiological and acoustic characteristics of the female music theatre voice in belt and legit qualities
Bourne, T. et Garnier, M.
Actes de ISMA, Katoomba, Australie (2010).
May speech modifications in noise contribute to enhance audio-visible cues to segment perception?
Garnier, M.
Actes de AVSP, Moreton Island (2008).
  Interrelationship between vocal effort and vocal tract acoustics: a pilot study
Garnier, M., Wolfe, J., Henrich, N. et Smith, J.
Actes de ICSLP, Brisbane (2008).

The Lombard effect: a physiological reflex or a controlled intelligibility enhancement
Garnier, M., Bailly, L., Dohen, M., Welby, P. et Loevenbruck, H.
Actes de ISSP, Ubatuba (2006).
 

An acoustic and articulatory study of Lombard speech. Global effects at utterance level
Garnier, M., Bailly, L., Dohen, M., Welby, P. et Loevenbruck, H.
Actes de ICSLP, Pittsburgh (2006).
Etude acoustique et articulatoire de la parole Lombard. Effets globaux sur l'énoncé
Garnier, M., Bailly, L., Dohen, M., Welby, P. et Loevenbruck, H.
Actes des XXVIèmes Journées d'Etudes sur la Parole, Dinard (2006).
  Constitution de corpus de parole semi-spontanée en environnement bruyant : intérêts et applications d'une telle méthodologie
Garnier, M., Dubois, D. et Henrich, N.
Actes des Rencontres jeunes chercheurs en parole, Paris (2006).
Peut-on considérer l'effet Lombard comme un phénomène linéaire en fonction du niveau de bruit ?
Garnier, M., Henrich, N., Dubois, D. et Polack, J.D.
Actes du VIIIème Congrès Francais d'Acoustique, Tours (2004).
  Perception et mise en langue de la qualité vocale dans le chant lyrique
Garnier, M., Dubois, D., Poitevineau, J., Henrich, N. et Castellengo M.
Actes de la journée le Sensolier, Paris (2004).
Description verbale et acoustique de la qualité vocale dans le chant lyrique
Garnier, M., Dubois, D., Poitevineau, J., Henrich, N. et Castellengo M.
Actes d'ICVPB, Marseille (2004).
  Perception et description verbale de la qualité vocale dans le chant lyrique : une approche cognitive
Garnier, M., Dubois, D., Poitevineau, J., Henrich, N. et Castellengo M.
Actes des XXVèmes Journees d'Etudes sur la Parole, Fez (2004).




MANUSCRIPT DE THESE


Communiquer en environnement bruyant : de l'adaptation jusqu'au forçage vocal
Garnier, M.
Thèse de doctorat, Université Paris 6 (2007).

 

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UMR 5216 CNRS - Grenoble INP - Université Joseph Fourier - Université Stendhal